However, specifically related to zooming in, if that frame is forfeiting the source resolution, everything becomes blurry. So using Adjustment Clip or Compound/Nested would frame them as you say, or group them together as one, so the Transforms will affect it as one frame. One of the reasons someone might group several things into a container is for purposes of applying a zoom transformation to the entire thing in unison.įor example, if you have lots of things on the screen, different sized rectangles, you don't want to apply zooms and X and Y positioning to each individual object, because they will move differently. You could also use the metaphor of a Container or a Group.
You said the Compound/Nested feature is like a frame. But losing the high resolution during the workflow can naturally prevent certain types of things being done to those things afterwards, such as zooms. When it comes time to finally render your project, of course then is the time to flatten the image and scale it down and "print" that because nothing comes after. My request is to not lose underlying source resolution (when higher than timeline resolution) when using Adjustment Clips, Compound Clips, Nested Timelines, or creating Fusion Clips from the timeline. Zoom the Adjustment Clip, it's all blurry. You can then drop that Fusion clip into the timeline and its's still 16k (even though it's squished down to the 4k size, zooming in shows the 16k is still there).Ģ) Convert your still image into a Compound Clip drop it into another timeline, it loses its 16k.ģ) Slap an Adjustment Clip on top of it. However, if instead you make a new Fusion clip that's empty, and drag the same 16k image into that, it preserves its 16k resolution. So working with that Fusion clip from that point forward in the timeline, it has lost it's 16k detail. But zooming in 20x, you can see the 16k detail.ģ things that cause Resolve to reduce this 16k still image to the project timeline resolution are:ġ) importing to Fusion from the timeline, 2) using it as a Compound Clip/Nested Timeline, 3) applying an Adjustment Clip.ġ) So you've got your 16k still image in your timeline. It retains its 16k resolution (it just gets scaled down to fit the 4k timeline). Put a 16k still image (or 8k, just anything larger than the 4k timeline) in the timeline. Not sure the correct term for it, but Resolve seems to forfeit any underlying source resolution by taking a new impression AT the timeline resolution, when certain things are done.Īssume you are working in a 4k timeline with the default "scale image to fit" selected:
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